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INTERSECTIONS OF MEDIA, ART, SOCIETY AND TECHNOLOGY.
 
Artvertiser
Artvertiser

The Artvertiser is a software and hardware platform for replacing billboard advertisements with art in real-time. It works by teaching a computer system to 'recognise' individual advertisements so they can be easily replaced with alternative content, like images and video. Rather than referring to it as a form of Augmented Reality technology, we consider The Artvertiser an example of Improved Reality. An instrument of conversion and reclamation, it situates the 'read-only', proprietary imagery of our public spaces as a 'read-write' platform for the presentation of non-proprietary, critically engaging content.

The Artvertiser exists in hardware form as a Billboard Interception Unit, a custom-made hand-held binocular-like device for high-quality immersive advertisement substitution in public space.

The project was initiated by Julian Oliver in February 2008 and has been developed in collaboration with Damian Stewart and Arturo Castro (Android port/rewrite). It has been presented in full working form in street exhibitions in Berlin as part of Transmediale 2010, in Brussels for the Europe wide Media Facades Festival, in four inner-city walks during Rotterdam's Image Festival and in Helsinki as part of an M-CULT public event and workshop.

The Artvertiser is also a free-software project and runs on Linux, Windows, OS X and Android systems.
Damian Stewart
Damian Stewart (NZ/AT) is an artist working with light, sound, and technology. Drawing from a diverse background including study and practice in music, architecture, philosophy, and computer science, and building from on a solid understanding of the history, material properties, and aesthetic possibilities of technology, Damian's work constructs and explores relationships between audience, artwork and artist.
Julian Oliver
Julian Oliver is a New Zealand born artist based in Berlin and has been active at the critical intersection of art and technology since 1998. His projects have been presented at many museums, international electronic-art events and conferences, including the Tate Modern, transmediale, Ars Electronica and the Japan Media Arts Festival. His work has received several awards and he is a long-time advocate of the use of free software in artistic production, distribution and education.
Today 30.9.2011: 19h
Urania Wien
GAMES CULTURE CIRCLE
Coded Cultures 2011: City as Interface Presseaussendung #2
Teaser 2009 - Japan
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CC BOOK Springer Wien/NY
Book Coded Cultures - New Creative Practices Out of Diversity Springer Wien/NY
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